Perhaps it approximates oral tradition—different stories told by different speakers, gathered around a campfire or sharing a cabin on a dark and stormy night. —Jim Vorel, Directors: Roxanne Benjamin, Annie Clark, Karyn Kusama, Jovanka Vuckovic, Sofia Carrillo, It’s important that the scariest segment in XX, Magnet Releasing’s women-helmed horror anthology film, is also its most elementary: Young people trek out into the wilderness for fun and recreation, young people incur the wrath of hostile forces, young people get dead, easy as you please. They’re ingrained instead of inserted. All in all, though, Asylum comprises a variety of strong performances and appearances from the likes of Peter Cushing and Charlotte Rampling, while possessing a more cinematic presence than the silly framing story of something like Tales from the Crypt. "King's 'Cat's Eye' trio dogged by limp pause". From Beyond the Grave (1974), Trilogy of Terror (1975), Heavy Metal (1981), Twilight Zone: The Movie (1983), Creepshow (1982), The Company of Wolves (1984), Creepshow 2 (1987), Tales from the Darkside: The Movie (1990) and Tales from the Hood (1995) are various horror themed anthologies from the 70s to the 90s. All these years later, no four directors have done it better. Best Horror Movies of 2019 Ranked by Tomatometer. Yet the release that really popularised the format in the eyes of critics and audiences was Ealing Studios’ influential multi-part chiller Dead of Night in 1945. But Southbound is first and foremost a work of velocity, a joyride through Hell well worth buckling up for. It soon becomes quite obvious where the wraparound story is going, but Dr. Terror’s House of Horrors is ultimately the exact sort of harmless fun that its title would imply. This is a list of horror anthology films. Sly comedy and great performances from an array of familiar faces (Brian Cox, Dylan Baker, Anna Paquin) power each of the segments, and none of them overstay their welcome. African-American horror has never been particularly common or accessible to most American cinemas, which also served to make Tales from the Hood something of a 1990s touchstone of the genre for Black horror fans. —Jim Vorel, Directors: Radio Silence, Roxanne Benjamin, David Bruckner, Patrick Horvath, Tricksters and demons, vengeful spirits and serial killers, the hope of salvation and the lingering presence of Satan: These are the things that anthology film Southbound is made of. Cheers! As the name suggests, this Telugu anthology film … 55 likes. Horror Stories (while being terribly titled) is a great surprise of an Asian anthology film. You owe it to yourself to see Creepshow for him alone. That fact does not make it any less of a classic in our eyes. You might, for example, feel heartache during Jovanka Vuckovic’s “The Box,” or the uncertainty of dread in Karyn Kusama’s “Her Only Living Son,” or nauseous puzzlement with Sofia Carrillo’s macabre, stop-motion wraparound piece, meant to function as a palate cleanser between courses (an effectively unnerving work, thanks to its impressive technical achievements). Philippine horror anthology films (1 C, 2 P) S South Korean horror anthology films (6 P) Pages in category "Horror anthology films" The following 11 pages are in this category, out of 11 total. That’s one of the factors that helps V/H/S work better than, say, the unrestrained insanity of The ABCs of Death. Pages in category "British horror anthology films" The following 17 pages are in this category, out of 17 total. —Jim Vorel, Directors: Douglas Buck, Buddy Giovinazzo, David Gregory, Karim Hussain, Tom Savini, Richard Stanley, Jeremy Kasten, The Theatre Bizarre is an odd case for horror anthologies: The names you’re likely paying admission to see ultimately don’t end up being the film’s highlights. What is your favorite of the Amicus anthology films? Sign up for The Lineup's newsletter, and get the freakiest flicks delivered straight to your inbox. —Jim Vorel, Creepshow 2 is very much a 1980s horror sequel: It attempts to largely replicate what audiences enjoyed about the first film iwithout mucking around too much with the formula, producing a good-but-not-quite-great effort in the process. Mass consumers of horror famously love to find films to hate. —Jim Vorel, Transferring the formula established by Tales From the Crypt and other adaptations of classic EC Comics series to the inner city, Tales from the Hood was always bound to stand out as a unique entry in the horror genre. That killing is a stylishly executed murder, splashing blood across Hubby’s beloved newspaper, but what really makes the segment stand out is its Christmas Eve setting, lending it the hilariously macabre use of a number of radio Christmas carols while the action is unfolding. Typically comprising a number of self-contained tales linked by a framing device, the anthology horror movie has a long tradition stretching back at least as far as the German silent film Unheimliche Geschichten (1919). If the output of British film studio Amicus Productions usually lacked the refinement and grandeur of Hammer’s horror films, they always seemed to make up for it with cheeky, good-natured charm. One has to wonder if Viral killed this series for good, or whether they’ll eventually act like it never happened and release a straight-up V/H/S/3 one of these days. Although the concept of “anthology” films could be said to date back as far as D.W. Griffith’s Intolerance in 1916, the storytelling device has always found a natural bedfellow with the horror genre. The strength of King’s source material shines—“Quitters, Inc.” is very creepy, in a dystopian future sort of way, while “The Ledge” is reminiscent of the excellent Creepshow segment “Something to Tide You Over.” Even the new “General” is a silly joy, as it pits its cat (now the film’s main character, as it were) against a tiny little troll/gremlin determined to kill a 9-year-old Drew Barrymore in her sleep. Indeed, the band in question famously took their name from this celebrated anthology film, which spins three tales of Mario Bava-directed horror. Time to cram some high-density spooks into your Halloween queue. It's time to look over some unforgettable collections of savagery and satire. Horror Anthology Films. Rapt with indelible images (most well known, perhaps, is Hoichi’s skin completely covered in the script of The Heart Sutra to ward off the ghosts’ influence), “Hoichi the Earless” is both deeply unnerving and quietly tragic, wrung with the sadness of Kobayashi’s admission that only forces beyond our control hold the keys to our fates. But it’s Hong Kong director Fruit Chan’s “Dumplings” that really brings the wow factor to Three… Extremes, as an oddly seductive, hypnotic thriller likely to make your stomach churn before it’s all over. !! The film has a single vision but is built on a wide variety of grim and ghoulish horror tropes, all the better to satisfy the hungers of even the most niche genre connoisseurs. Another anthology film based on a horror television series, Tales from the Crypt was hardly an original concept. 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